WCCO (AM), a CBS affiliate--the network where the program originated. This local affiliate intended to use the photo in its local ads for the Minneapolis-St. Paul area it serves.
The photo has no copyright markings on it as can be seen in the original upload.
United States Copyright Office page 2 "Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
Label fragment visible in original upload indicates the Suspense episode being promoted was the March 8, 1945, presentation titled "Love's Lovely Counterfeit". From J. David Goldin's RadioGOLDINdexcópia arquivadaat the Wayback Machine: 5609. Suspense. March 8, 1945. CBS net. "Love's Lovely Counterfeit". Sponsored by: Roma Wines. A Bogie-type gangster role and a very well-done story about a double-crosser in love with a "missionary." The story was subsequently produced on "Suspense" on January 17, 1948 (see cat. #24149). Humphrey Bogart, Lurene Tuttle, Elliott Lewis, Wally Maher, John McIntire, Joseph Kearns ("The Man In Black"), James M. Cain (author), Robert L. Richards (adaptor), William Spier (producer, director), Truman Bradley (commercial spokesman), Elsa Maxwell (commercial spokeswoman), Lucien Moraweck (composer), Lud Gluskin (conductor). 1/2 hour. Audio condition: Excellent. Complete.
Licenciamento
Public domainPublic domainfalsefalse
Este trabalho está em domínio público porque foi publicado nos Estados Unidos entre 1929 e 1977, inclusive, sem um aviso de direitos autorais. A menos que seu autor esteja morto por vários anos, não é do domínio público nos países ou áreas que não se aplica a regra do curto prazo para as obras dos E.U.A, como o Canadá (50 apm), China (50 apm, com exceção de Hong Kong e Macau), Alemanha (70 apm), México (100 apm), Suíça (70 apm), e de outros países com tratados individuais. Veja esta página para mais explicações.
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